puçanga

BIO | VISION

Rhyme, Rythme and Remedy. As an artist, I use a mixture of dark electronic music, rhythms and bass, with a melodic voice. My themes, crafted as sound potions, are often rooted in the living histories of working people, feminism and fighting the extractivist idea of power. Tradition and folklore are also spaces to be reclaimed as alive in music, in ways that rewrite people's struggles against oppression, not rescued by greyness or the right. I hope my work successfully challenges these notions and seeks to empower community.Rhyme, Rythme and Remedy. As an artist, I use a mixture of dark electronic music, rhythms and bass, with a melodic voice. My themes, crafted as sound potions, are often rooted in the living histories of working people, feminism and fighting the extractivist idea of power. Tradition and folklore are also spaces to be reclaimed as alive in music, in ways that rewrite people's struggles against oppression, not rescued by greyness or the right. I hope my work successfully challenges these notions and seeks to empower community.

Squares are, historically, spaces where all diversity has always circulated. And they are also, historically, the place of inquisition, murder or threat of these same diverse bodies. I invite you to walk around Martim Moniz, going all around the square, around its periphery and observing its interior. The sound fragment that can be heard on this soundwalk is a Pakistani Dhamal percussion ceremony.